Saturday, October 29, 2016

Talk to Me, CC

      CC Deville doesn’t notice me when I walk in. I, however, clock him and a couple in the corner booth.
     "What the hell’s with the lovebirds,"  I ask Gary trying to sound more curious than pissed.  You had to tread lightly about this guy.  One minute you’re passed out naked in the desert thanking God that it’s him by your side, the next you’re avoiding his text messages. Plus, due to his position as the public face of Rodz Metal Sports Bar, his boyfriend, Rod (yes), paid to have his multi-directional fangs attached to a fresh mouthful of braces. The braces make him look twelve, which is the upper limit of his emotional development.  I trust him to do the job, but his methods are unorthodox.
     "Those guys? They're here to see the twins. Ain’t nothin I can do about that." 
     " But Gary, you understand this is a delicate situation?"
     " A what?"
        I am let down by the reality of CC Deville. I am Dorothy after the great green reveal.  His hair, that hair, lay lifeless and flat on his prominent brow. He is so human it makes me uncomfortable to be this close to him, in this dark place where I am thinking of playing one of his songs on the jukebox.  I feel it's not the right note to begin what I foresee will be a true shit show,  so I punch in “Poison” by Bel Biv Devoe and hope that he gets the joke.  Gary sets me up with a triple Old Crow and a glass of tap water. CC is thumbing a message on his phone when I join him at the table. He looks up, cramped, constipated.
     "You didn't forget. Did you forget?"
       I dig the pills out of my pocket and the door squeaks open, admitting a long frame of sulphurous afternoon sun.
       Gary lets Winona get one good foot in before barking at her. 
       “We’re closed.”
       What the hell happened in your mouth? she asks, standing her ground.
       He sprays her with the soda gun and she fucks off.  This is what I’m talking about. You want to trust Gary, but it’s the unknown variables that spook you. I feel the mossy green fingers of regret bearing down on my windpipe. I take a sip of water and dip my finger in the whiskey. CC pops the lid on his prescription and drains a fresh greyhound.
     "See, we build a stage in each town," he says, starting right in with the earnest look of someone who knew he could sit in front of a refreshing vodka cocktail, in a dark bar, alone and the answer yes would just descend upon him like a warm bubble bath. "I could wear a hat, and, and we could go to like, Mississippi, you know, the river. The delta..."
      I stare at my drink. At the Forum, two nights ago, during the second encore of a Tom Petty concert, I promised my wife I would quit drinking before she could issue an ultimatum.   Technically, I made clear,  starting after the show. God it was easy to say, and so liberating. She said, you know, you've got to do this for you. And, well, I thought, so long blackouts. No more human bowling ball. Probably ever.
      CC stands up and stretches, his stone-washed jeans snug, tucked into pointy red leather boots. He motions for another and I prompt him to continue.
     "A stage?
     "Bro, you were sitting right there. It was like  Kshhh! Hollywood Man, listen to the rain."
   But the couple nestled in the corner booth have started to hiss like cockroaches, clawing at each other over the Formica booth.
     “It’ll be called, RedisCover CC with a capital C in rediscover so there are like three C’s? The third C is the new me. Undercover, like disguises at first at least so they don’t lose their shit because of me.”
     “CC.”
     “Well, you never know.”
        I think of life without booze, of losing this account with CC. Pretty bleak. But, look, he’s laughing now I'll always remember that. He really can take over a room. I mean own a room. He has that going for him. Still, CC at Staples Center is something entirely different than CC in Tupelo, Mississippi.  His untested ambition disregarded the normal ebb and flow of shitty and frustrating life. He started in a garage on Riverside and graduated almost immediately  to stadiums. He filled stadiums, this guy, piping hot, wet, promises via towering Marshall stacks. But how does one cross-market the unique talent of convincing 78,000 people a night that slugging Jack Daniels and finger-fucking is a sustainable lifestyle?
     “Listen CC, I follow you so far. You’re thinking reality, sort of mobile America’s Got Talent. We go to them sorta thing, but on a small town tip. Southern, Delta, music, raw, blues. Throw in some gothic, old-South, hoo-doo shit and the whole, fish out of water have to prove even white boys get the blues element and Bam! We got TV.”
     Gary reaches down his cargo shorts and whistles, high and shrill, possibly because of the braces. He extends his arm toward our table and squeezes off one perfect round.  CC’s expression pinches and gathers like a raisin in the middle of his face.  His head cracks on the table, the glasses rattle and rest, pocked with bits of shit from CC’s exploded brain.  Wow. So that's how it goes. I had no idea. I'm not sure if shock is the right word, but I notice the couple in the booth have stopped fighting.
      After processing the magnitude of the events I have set in motion, I go straight for his, Christ, a purse? a bag? what on earth? and slip out a 50.  A sense of  decorum would have been normal and humane, but he's dead, no question. I ask Gary to call me a cab. Remember your promise, she said to me before I left this morning. Shit. Forget the whiskey. I go back to the bag. I needed something, anything. Fuck it. Like they won’t be able to identify CC fucking Deville. I palm his license. The lovebirds stumble up to the bar, single file.
     “Can you split the bill?” says the dude. What a chump move.
     “Eww. Gross,” she says, making for the exit, “That’s CC Deville.”
      Gary draws again and pops one in the back of her skull. Jesus.
     “She was about to walk her tab,” he says high pitched and defensive, the neon catching his braces.
      Chump ass move. Though it was none of my business. I commit the scene to memory because today would be the touchstone by which I measure future days. I make good and goddamn sure to pay my tab. I take care of CC’s too, just to be safe.

    
      When I get home, she notices me. I notice her. We play this game.  She's still in her EMS gear.
     “Did you get the autograph?”
     “Practically,” I say, handing her CC’s ID.
     “Breathe.”
     “I’m clean,” I say, expecting a parade. But settling for her uniform which I cannot resist. All that shit attached to it. Her name tag, the devices. Life saving devices! I make the sound effect of wind whistling through the pine trees and blow in her face.
     “Jesus," she says, wincing, "you smell septic."
     “Well, yeah. But what does that mean?”

Friday, October 28, 2016

toothache

pain shrinks circumference
drought comes delight
black death, overall
increased my wages

Tuesday, October 25, 2016

Lucky Day

bullet spray
missed today, failed to
liquidate the comma
that would eat fresh
childrennever mistake
the twenty
he dropped
for just any old piece of
sweet jane on repeat,
tangling the sheets

latched stalls
innocent shins
fumes rise unbidden,
splash. distracted
by fountains
bird traffic.
pray, steel armor plate, please
would you
with the
coffee klatch or the clam bake

Saturday, October 22, 2016

Test Drive

Take him to the
playground. monkey
around. See
if his will to live
keeps him off the burbling lava. then

Dig a holding tank
deep in your bone
collect
water drops in
 its thirsty hollow with
the avatar
he would expect
you to decode.

Thursday, October 20, 2016

Former MCA Recording Artist Joe Ely Can't Put His Finger On it but Something's Missing

Joe Ely sends soft lightning
through a crowd of nostalgic white-hairs
wintering their frigid bums on the Gulf of Mexico.     
Of the many fine grand-daughters present
her dizzy hips find sway as Joe sings of lucky eyes on senoritas.

She drinks rum, she drinks beautiful,
holding my hand so tight I’d swear it was our second date.
His voice unhinges properly sedated memories and the
tears bum rush as they do these days.
Sand infiltrates the drinks of
lunatics slung shot, shaken and stirred on cheap carnival rides.

After the show he hands me an empty coffee mug.
Hold this, he says,
to Sharpie
a worn out copy of “Honky Tonk Masquerade”
for the matronly beach bunny
who took the entire show to pantomime
her way out of some ancient elaborate box.
He says to her,
Lord, I was so young,

and I walk away with his coffee cup.
I imagine it is an extraordinary cup because Joe Ely impregnates everything with lyrical force.

At home I pour four fat fingers of whiskey into my new mug

but the magic's all gone.
There is no poetry.
She's passed out, snoring,
and I got work in the morning.

Tuesday, October 18, 2016

Theorist

you ask me to accept you
        what you are telling me
that presupposes a denial of
        what came before
asking me to blindly accept you
        what you are saying
asking me to admit
         I am powerless before
to release my tenuous hold on
        what I’ve come to believe

on which I retain such a tenuous grip
so that you may share the fear

of being powerless before
decisions were made
footage exists
records show

that I either erode my 
working world view that
The System is fucked

and my words don’t build anything
or restore anything broken

and you are so full
that you want to share
the wealth that you pay to have me
powerless on my knees

you would have
you and I
safe
don’t you feel like cryin’

man made is
grieving

dissemble
recombobulate
 now.
decisions were made
footage exists
records show
 bear in mind
remember
  be careful, Witness
  push your narrative
  push your book    
      in my face
present your findings
 offer a present
  hieroglyphs
bat them around
 arrange them in order
 offer a present
your blood & sanity
 (no, your eyes are killing you)
    like your marbles
 searching for the door

Friday, October 14, 2016

Last Dance

which got me thinking about gummy bears--
Harry's Beri-Swirl Jheri-Curl--right
before that burn squirt of fear piss when
he finally came to collect me at Jim and Sid's place.  girls
dirty, sticky, under the hot lights make
a thigh bruise green. siphoned
midnight expressions, 8am confession: Harry leads me back
dripping like fresh oil paint
against a canvas of Sysco Classic
Make me repent those long trembling sulfurous
kisses on my shriveled psyche, regret I ever
pledged allegiance to the
sweet puss-puss.
persuade, subjugate, adjudicate
God he can illustrate:
He just arrange me in the
are joo us poses
Left behind move made him famous for moves make me feel inhuman
Billowing, dust-swept high note, cherry blood dots caught in the spot
lone, all alone, singing,
Oh, what a little moon light'll do.
I can dance Harry. Let me dance for you?


Thursday, October 13, 2016

Fine Print

Interest rates
were discussing that fine print
down the hall,
while she implied an invitation to grab
the coxswains wheel.
Just words
she said, stuffing his mouth
full, coating his naked throat
with unaccountable disclaimers.

Wednesday, October 12, 2016

Constituency

life flourishes but
creatures here advance slowly
large numbers
carpet the floor
scanning for food
swarming in such numbers
puncture the skin of another fresh corpse
such a meager quantity of food
dissolved of issues
no brain, no blood
scavenge what remains
drifting on empty
skeletons stripped bare
heads bobbing
current transmits
pulsing
politics of 
starving constituents

Saturday, September 24, 2016

Day Drinking

The sun sips on day after day
the wind and the water inherit your DNA,
deconstructing creation

Brown skin resonates
low minor keys
scouring sand grains shave
nursery rhyme snowflakes,
direct descendants,
jealous of the rational aspects above the neck

smell the sun's tendency toward excess
simmering cocoa butter roux
mingled with ashes of your former self
Sloughed behind
dispersed in the palm
shade diffusing narcotic waves

Thursday, September 22, 2016

Morning Routine

Guts death grip
when red lights explode 
the rear view.
Signal to the shoulder.
8:06 says the dashboard clock, 
still have to get gas after this shit’s over. 
Didn't last night since she was working,
Slither on past like the jerk I am
Take care of it tomorrow.  
Like my registration,
and tomorrow 
Like my fluorescent lit gas station bangs.
Tomorrow creeps by  
to entertain 
every possible iteration of fucked up
aggravated by my unrepentant sloth.  
And Estrada? 
that petty prick, makes manager? 
First order of business: Failing remedial douchebag leadership metaphors. 
Remember that doe-eyed shit, askin’ 
It’s ok I go have a smoke? 
Boss opens her office door, says, 
where the fuck’s the new kid?
I cover his ass. 
Now I work for him
Sits me down like things
have moved across the surface, 
pulled apart.
From this seismic activity
emerges a corporate logo that looks exactly 
like a cock print on his cheek, strutting,
sotto voce: Lotsa pressure up top, he says, fretting.
7:30 is the new eight! 
Adjust your morning!
 Don't be late! 
License and registration
both expired 
school zone, 
clocked at 75.

Saturday, November 21, 2015

The Dozen For C.

You smile and
I see--peering through the window
From my POV, you’re inside, without me.

Our secrets are few, and If
I were less vain, I would conclude
you smile, alone at some phantom tap
at the corner of your brain
producing incoherent yet
consistent warmth.
that you are tickled by
such a simple fact of your life,
abstract as it may be;
that with your worry
ambition and
heartache,
I spy with my own two eyes,
from the vantage point of our back porch,
a private smile that detects
the threat of capture.

what you truly see
I can only guess, for our POV's
meet uncertainly.  though we
are at times so similar as to
induce a shudder
that is crushed by your skin,
when you hook our legs and mount me like I’m
some pious, reasonable, hard working,
farmer.

peering through my own window
enjoying your private moment,
in which, I daydream,
I am the principle actor.
I am witnessing a reverie:
that husband of mine, you think,
and smile, teeth bared, alone,
in that moment as you can never be when I’m within your POV

You are perfect alone
in the forest I cannot see
the bears,
or the sun
coursing through the canopy

Saturday, November 14, 2015

strange town, familiar smell

the sign on the door says
Believe in Jesus
Christ Be Saved.
By God, 
I knock and score
enough for me 
and my friend Ben, 
the suicidal Chihuahua,
to get tranquilized
alley-wise over by the Walgreens.
between dumpsters
lie wicked dreams:
deposit me in the passenger seat
of didion's yellow corvette 
screaming down
early sunday morning streets,
one of flannery's peacocks
winging the wheel.
intimacy gone stale 
as a half box of cracker jacks
in an Aztec time machine. 
piss on that smell.
George Carlin said 
we should die first
spend our last nine months on earth 
in a womb and
finish as an
orgasm.
I guess that'll be the safe word,
I says,
to a rat wearing a leather mask
who 
is rumored to infect 
his sexual partners
with a nasty strain of optimism


Notes From Ben, The Suicidal Chihuahua

Stalking the white kitten
through Longhorn cattle pens
road side sign says
Believe in Jesus
Christ Be Saved
By God

I rustle up enough chocolate
to choke a greyhound
AutoZone dude helps me track a lead
for old school antifreeze
huffin’ the sweet stuff
alley-wise behind the Walgreens
between dumpsters
tranquilized
wicked dreams
treed by a peck of pigeon-toed
cat-hounds
Didion screaming at the peacocks to shut Flannery down

Sunday morning pavement
cloudy  thousand yard stare
a  mutt I used to run with.
sniffin' that ass
well
piss on that smell
no safe-word today
I say
to Madam Bull Shark in her lovely
studded mohair wrap

Wednesday, November 11, 2015

Concrete

In the kitchen
expiration dates present
olfactory opportunities
sounds of soffritto and mirepoix linger
clamoring to dignify
our wilting intentions

At the sink
she stink-eyed the wet plate, dripping dirty dish water
indicating a spot on the rim where I missed these toughened little clutches of melted cheddar.
I left her hanging
plate in suspension
refusing the offer,
formulating events I could immediately identify as worse,
far worse,
than a nearly spotless dish

that slipped from her grip
and crashed at our feet
Fuck, what the fuck?
watch it, wait.
Damn you, we thought,
as I sucked my bloody finger.

In the dresser
the diminishing significance of her undergarments

In the bathroom
pain and pills

From here to eternity
kids and bills

conclusions based on highly connotative words.
absent atmosphere, pretext and subtext will fall the same rate
but I need  a bowling ball
dropped on my foot
a claw hammer straight to the knee
my pledge of allegiance to abstract ideas
betrays the concrete she.

It Don't Rain In Phoenix

Rains again like every day the day before
10 different ways
streets as slick as glass
and the green light glows
dusk gives up the ghost for now
my bones stay cold and I'm feeling how
the desert sun is calling out my name

I tell them where I met you
underneath the Coal Creek Bridge
they look  at me with sympathy
when you whisper
the way you enunciate
polyvinyl acetate
makes me think you are more agile than you appear


operatic in her grandeur,
plumpuscular, muscular, absolutely glistening
 with slime
 one misty Sunday morning,
 coal creek running after rain
 I saw the biggest, blackest, coldest, slickest, slowest, slug there ever was

she said hello
clap clap
She said I’m Black
clap clap
I’m sure you never ever met a gal like me
clap clap
I take my time
clap clap
don’t cost a dime
clap clap
I am divine
clap clap
I’ll make a squeamish weeping willow sapling scream

She eased me down from off the ledge
didn’t need as much whiskey to get right in the head,
 she sorted out my day with something good
then one night the phone call came, she could tell when I walked way
leaving her to fret alone in our tiny livingroom

broke it to her like poetry,
the dusk gives up the ghost for now
my bones stay cold and I’m feeling how
that Greyhound bus is calling out my name

she said, but it don’t rain in Phoenix
and when you get to sweating it burns a like hell
we’ve had a good time baby
didn’t expect I’d ever have this much to tell

It don’t rain in Phoenix
I might melt in the sun
there ain’t no slugs in the canyon
there ain’t no “us” on the run.

so I put her on my shoulder,
hiked back up to Coal Creek Bridge
lifted up a rotten log set her down
in the patchy fog, slime trails
starlight bouncing off bubble frogs
balls strung so tight I couldn’t see no way around it

hitch up my grocery sack
cans and clothes and a folded map
grab me  a seat all the way in the back,
diesel fumes make me hungry for some eggs
I wonder about my hermaphrodite,
she made me feel half way allright,
scorpions can’t do it near as like she did.